Technique -- Coil pot construction

Another one for the handbuilders out there.  I don't know about you but I am quite linear in my thinking so when you say "coil", I think horizontal.  Here's a video that shows you that coil does not have to be horizontal.  Enjoy!

Techniques -- Handbuilt "Slab" Tumblers by Charan Sachar

I know I post mostly wheel throwing techniques but here's one for you handbuilders out there.  My take away from this demonstration are:


1. Use templates for consistency in size and shape.

2. Use support for moving slabs -- I guess this is even more important when the slabs are softer.  Use anything at your disposal that is close to the shape or the size of what you are making.

3. Pre-decorate the slabs when they are still flat as much as possible and minimize fussing once they slab is "assembled" into their final shapes.  Give your work time to firm up before you have to handle it again.


Enjoy!

News -- Show your work

Here are two opportunities to show your work.

1.  Highlighted Student Shelf

The Highlighted Student Shelf will display 2 to 6 pieces of work of any current Lillstreet ceramic student for a period of 2-weeks.  When you submit your work for consideration, you must have a) an Artist Statement that will explain the thought process behind your work. b) Photos or the actual work that you intend to display. Photos does not have to be professionally shot but is meant to provide an idea of the work that will be displayed.

So, get the process started!  Once you have your artist statement and the pieces you want to display, contact Sean at seanclute@gmail.com to set up an appointment to review your artist statement and your work.

2.  Annual Lillstreet Student Member Show

The Student Member Show will run from September 29 through October 5 this year (2014).  You will need to submit photos of three pieces of your work that is reminiscence of the work that you will display/sell during the member show. The photos does not have to be professionally taken but should be of high quality.  There is a $20 processing fees and the submission deadline is June 30th.  Point your browser to lillstreet.slideroom.com to begin your application process.

Good luck and have fun!

Techniques -- Preventing "S" Crack When Throwing off the Hump

The title is a little bit of a misnomer.  This video is more about just preventing "S" crack in pots thrown off the hump. I wanted to share this because of the measurement technique shown.  Many of us have trimmed through the bottom of a pot.  The tapping technique works for some but it takes years of experience to know that the "thunk thunk thunk" to mean a certain thickness and it's a guess at best.  This method is sort of scientific and you can just measure the depth of your foot ring to know if you've hit your mark.  Enjoy the demo and leave your feedback in the comment section.

#TBT -- The Art of Potter

On social media sites like Facebook or Twitter, a word or phrase (with no space between words) preceded by a hash sign (#) is used to identify messages on a specific topic.  By clicking on the hashtag, you will be able to see all messages pertaining to that particular topic.  

#TBT has been used to identify messages related to "Throw Back Thursday" or, simply, paying homage to our past.  In the vein of the message, I submit for your consideration, a video on the potter's history.  Specifically, the  British potter.  This video is part of a three part series on the history of potter in Britain. This is episode three, titled "The Art of the Potter".  

It's quite a lengthy video and is broken into four parts.  I can't embed the video here due to certain copyright protection so I will link you to the video on YouTube.

Part 1

Part 2

Part 3

Part 4


Enjoy.

Techniques -- Wedging

Whether you're a handbuilder or a wheel thrower, some techniques are universal (in my humble opinion).  One such technique is wedging.  

Wedging your clay well removes a lot of potential issue that you may encounter later on.  Yes, I am talking about the proverbial "air bubble".  The air bubble expand when it is heated in the kiln and the air will have to escape somehow.  The point of escape (aka the size of the hole it creates) depends on the size of the air bubble.  Wedging also aligns the clay particles so that it is more workable.  

All First Time Potter students are taught the "rams head" method of wedging but as your skills improve and you start to use more and more clay, the "rams head" method becomes quite unwieldy due to the sheer volume of clay you have to manage.  

For hand builders/sculptors, you are often left with quite a bit of clay as you hollow out your work.  In order to reuse those clay, a good wedging would be in order.

Anyway, more details about wedging can be found here and here.

Today's video demonstration is the "Spiral" wedging method.  This method lets you wedge a large amount of clay while only concentration on a small lump at a time.  The Japanese word for spiral wedging is "Kikumomi" which roughly translates to "Chrysanthemum wrinkles".

Ceramics Department -- Summer Schedule

The summer schedule is online.  The summer 2014 session runs from June 16 to August 24.

You can check out the schedule here.  Scroll to the bottom of the page.

Here's a preview and you can actually sign up online by clicking on the link to each class:

BEGINNER/ADVANCED BEGINNER

FIRST-TIME POTTER (5 WEEKS)

LAC Members $170.00 / Non-Members $175.00

FIRST-TIME HANDBUILDER (5 WEEKS)

LAC Members $170.00 / Non-Members $175.00

BEG/ADV BEG WHEELTHROWING (10 WEEKS)

LAC Members $320.00 / Non-Members $330.00

BEG/ADV BEG HANDBUILDING (10 WEEKS)

LAC Members $320.00 / Non-Members $330.00

MULTILEVEL (ADVANCED BEGINNER TO ADVANCED)

BEST OF BOTH (10 WEEKS)

LAC Members $320.00 / Non-Members $330.00

HOME AND GARDEN POTTERY (10 WEEKS)

LAC Members $350.00 / Non-Members $360.00

THE ART OF FOOD (10 WEEKS)

LAC Members $350.00 / Non-Members $360.00

SAGGAR FIRING (10 WEEKS)

LAC Members $350.00 / Non-Members $360.00

SMALL SCULPTURES, FIGURINES, AND DOLLS (10 WEEKS)

LAC Members $350.00 / Non-Members $360.00

INTERMEDIATE WHEELTHROWING (10 WEEKS)

LAC Members $350.00 / Non-Members $360.00

SIMPLY SODA: BEGINNING SODA (10 WEEKS)

LAC Members $350.00 / Non-Members $360.00

SCULPTURAL NARRATIVES IN CLAY (10 WEEKS)

LAC Members $350.00 / Non-Members $360.00

INTERMEDIATE/ADVANCED

RED CLAY AND COLOR (10 WEEKS)

LAC Members $350.00 / Non-Members $360.00

ADVANCED WHEELTHROWING (10 WEEKS)

LAC Members $350.00 / Non-Members $360.00

ADVANCED HANDBUILDING (10 WEEKS)

LAC Members $350.00 / Non-Members $360.00

INTERMEDIATE HANDBUILDING: NEW FORMS (10 WEEKS)

LAC Members $350.00 / Non-Members $360.00

INSPIRED BY NATURE (10 WEEKS)

LAC Members $350.00 / Non-Members $360.00

ADVANCED TOPICS IN SODA FIRING: MIXED MASTERY IN SODA (10 WEEKS)

LAC Members $350.00 / Non-Members $360.00

FIGURATIVE SCULPTURE (10 WEEKS)

LAC Members $350.00 / Non-Members $360.00

TRADITIONAL FIGURE SCULPTURE (10 WEEKS)

LAC Members $350.00 / Non-Members $360.00

ADVANCED TOPICS (10 WEEKS)

LAC Members $350.00 / Non-Members $360.00

WORKSHOP

PASSION FOR PORCELAIN (1 DAY)

LAC Members $50.00 / Non-Members $55.00

TREES (1 DAY)

LAC Members $50.00 / Non-Members $55.00

SODA FIRED “BOX” TURTLES (1 DAY)

LAC Members $60.00 / Non-Members $65.00

SELF PORTRAIT IN CLAY (1 DAY)

LAC Members $50.00 / Non-Members $55.00

ICONIC FACES (1 DAY)

LAC Members $50.00 / Non-Members $55.00

ANIMALS (1 DAY)

LAC Members $50.00 / Non-Members $55.00

FOR EVERYONE

HOW TO PHOTOGRAPH ARTWORK (4 WEEKS)

LAC Members $160.00 / Non-Members $165.00

Techniques -- Surface Decoration

For those of us who needs to be inspired, here's a collection of short clips from the masters on surface decoration (except the first one and a half minute).  This video is quite rare because most of the videos I've seen tend to showcase a single artist.  

These are Korean masters from the Incheo area in Seoul, Korea. Incheon is the ceramics center of Korea and is where the international airport in Seoul is located.

Clip 1 (to 1:35) -- check out how deep he has to go with opening the centered clay

Clip 2 (to 2:34) -- slip layering, incising and sgraffito.

Clip 3 (to 4:00 ) -- inlay (mishima), stamping and form alteration.

Clip 4 (to 5:10 ) -- incising (yes, still incising even though you don't cut through like in Clip 2) and form alteration.

Clip 5 -- This master showed a different/advance way of using slip application and incising.  Also shown is selected application of mishima (inlay) to targeted areas of the pot.  And finally a painting technique with slip.

Lillstreet Workshop -- Momoko Usami

I remember with great fondness a simple tea cup that Momoko made from porcelain.  What first attracted me to the cup was the simple underglaze painting on one side.  However, the little cup held a "secret".  If you look through the bottom of the cup at a light source, you are presented with the image of a ballet dancer. Such is the technical abilities and the whimsical nature of Momoko's work.

You now have an opportunity to learn from Momoko.  She will be at Lillstreet to conduct a workshop on Pinhold Viewers on June 6, 2014.  Sign up for the class here.

If you would like to see more of her work, make sure to "Like" her potter page on Facebook.

Techniques -- Centering clay

Here's a rather lengthy video of a master Ceramist at the world famous Wedgwood in England.  The video sort of cuts out at the end but I think the most important part is the first 2 minutes plus of the video where the master thrower demonstrates various techniques for centering a lump of clay.  Enjoy and please leave feedback or comments. 

Ode to Monitors -- Michelle

Everyone, meet Michelle.  She has been a monitor at Lillstreet for a long time and, most recently, is responsible for loading the glaze kiln on Wednesdays with Steve Acoba.  Michelle sent me an email to let me know that she recently completed her Art degree.  CONGRATULATIONS, Michelle. 

She also sent me the images below of her work in the "Cut From the Same Cloth" exhibition at Mercer University in Macon, GA.  

I see some Japanese inspiration particularly from the Oni lore but Michelle says that she does not associate any direct influence from any particular culture with these masks. Most of her travels have been in Spanish and European countries and S. America.  She also have an extensive art history background. So maybe I am just seeing something that Michelle have been influenced by but not aware of. 

The show ran from April 13 to the 19.  What an amazing body of work.  Thank you for sharing, Michelle. These masks are fantastic!

Michelle's statement for the show:-

Growing up and to this day we are constantly exposed to this idiom. As adolescents, I believe we take this literally in that “we” are alike in some way whether it is physically or behaviorally. Since moving away from the South, maturing, traveling and being exposed to other cultures “cut from the same cloth” has taken on a larger meaning.

The cloth represents shared values, beliefs, and norms that shape who we are. Although it is important to recognize this commonality, it is equally important to grow and become an individual. Each person reflects through personality and appearance the sum of their experiences. I found that sculptural representations evolve similarly. The majority of these faces were made from one single mold - the original cloth - the inner face of each piece. But, like humans, even though there is a common beginning, each piece took on a life of its own. Integrating organic media and ceramics, for me, is representative of the journey we take in the creation of our own being.

- Michelle L. Anderson

April 2014

Techniques -- Porcelain Platter

I was making my rounds of the pottery blogs that I subscribed to and saw this video on an amazing technique for throwing porcelain platters.

The artist is Harlan House and he has a blog here.  Harlan House is potter who has been making porcelain pots for over forty years. Harlan’s works of art can be found in museum and art gallery collections throughout the world.

I've viewed the video at least a dozen time and is always fascinated by what I see in the last few minutes.  I think it is a technique worth at least trying out since you can potentially turn a cylinder with a twelve inch base and twelve inch walls into a 36 inch'ish platter. I think you could potentially adapt this technique for large bowls as well with some minor adjustment.  I also think that you can use this technique with other clay bodies.  Finally, this technique also gives you a lot of surface to decorate with.

The picture above is my first attempt at using the technique demonstrated.  I started with 3.5 lbs of porcelain clay and ended up with a 12" platter.  It is a lot of fun to try and quite thrilling as well.  How low can you go?  How big can you go?

Please try it out and leave comments about your successes or modifications to the technique. Good luck!

Lillstreet Student Member Show -- Online Edition

The whole show

Opening Reception -- look at the crowd!

I hope you've enjoyed the series.  Comments and posts ideas welcomed.

Photos courtesy of Jolene Taschner

Lillstreet Student Member Show -- Online Edition

Jolene Tascher

Suzie Uyeda

Peter Vale

Photos courtesy of Jolene Taschner.

Lillstreet Student Member Show -- Online Edition

Doris Pape

Nancy Pirri

Vivian Ragis

Photos courtesy of Jolene Taschner.

The Journey to a New Soda Kiln -- A Photo Journey Part 2 -- The New Kiln

Laying the kiln floor on the cement pad

Building up the walls

Higher and higher they go

The cage gets welded in to support the walls

Laying in the form for the arch

Supporting the arch with more bricks

The inside of the arch form

Welding more support bars to "the cage"

The bricks go down for the arch -- note the sequence number on the brick

Doug "Kiln Builder" Jeppeson inspecting the bricks.  Notice the round bars that are screwed into the steel frame to keep the kiln "square"?

Arch is up -- form is out!

THE KILN -- COMPLETED!!!!


First firing completed too -- results are pretty amazing!